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These are knock about times for motor companies. Executives from Detroit’s Consequential Three are
getting grilled on Capitol Hill. Folks are ignoring new cars in droves, and TV ads—happily, they’re sounding a portion desperate. So what’s a car train to do? Hit the movies, that’s what. Cars, of order, make had co-starring roles in movies since before the introduction of Technicolor. James Tie sped along European roads pro years in his Aston Martin (or a BMW in later installments). Disney’s (DIS) Taste Obsession starred, well, you know. And form year’s megahit Transformers seemed to aspect most of the Generalized Motors (GM) lineup, including a clever yellow Camaro that converts itself into one of the robotic heroes.

The hot car in Hollywood, these days, is an Audi (NSUG), the German treat jalopy that, frankly, unexceptionally seemed to sneak into lesser roles in movieland. No more. In the dead and buried handful years, it’s fatiguing to go to your district multiplex without seeing that four-ring insignia staring back at you. In this rise’s blockbuster Iron Man, the carmaker had three vehicles in starring roles, including the superhot Audi R8 speedster in which action star Tony Bare (aka Robert Downey Jr.) raced everywhere town. And when the motion flick Transporter 3 opens on Nov. 26, car go out after audi s6 avant
fans intent comprehend to experience a not quite two-hour commercial for the duration of the Audi magnificence sedan A8 as it outruns observe, outmaneuvers a truck nearby riding on two wheels, and flies through the divulge to land on a speeding guard—all without so much as losing a hubcap.

Effect order isn’t scrupulously trendy in Hollywood, and Audi has been doing it representing years. But you have to agency it to the automaker, which has gone into overdrive to stretch gear-shift to gear-shift with the likes of Ford (F), Mercedes, and better-known brands that for years be experiencing hogged much of the grade time. Audi has done its best to crash well-deserved about every awards carousal in town. (Disclosure: I was their guest at a post-Emmy party they hosted a month back and was chauffeured there in a decked-out A8). They be experiencing a agile of silky cars at the ready to fit to stars and directors. And they have turned around their product order medium for the sake the matrix decade, the fittingly named Whoop-de-doo, which also shoehorns such clients as Nokia (NOK), Panasonic, and La Coste into scripts.
Hey, Look Me Over

“What we really needed was to delineate America talking, and that meant targeting Hollywood,” says Scott Keogh, Audi’s chief marketing officer. “It’s about luxury and performance. People who certain us get it. We needed more people to understand us.” Keogh is chatting with me at a cocktail party during the American Skin Institute conference, the annual aggregation of independent filmmakers and buyers looking for which Audi perfectly happens to be a sponsor. Directors buzz on, sampling the and heading on to control in view the sleek Audi parked next to the Roosevelt Motel’s pool.

It’s all neighbourhood of the Audi blueprint to end mega-events, especially as time-honoured media splinters and audiences dissipate. Earlier this year, the carmaker dead beat the requisite $2.7 million seeking a Godfather-spoofing Wonderful Bowl fleck, which shows a inhibit waking up in his bed to find out the sawed-off grille of a measure up to luxury pile—and ends with the visible perpetrator speeding unlikely in an R8.

Rumors have till the end of time abounded that companies pay substantial sums to get through their room phones, puny drinks, computers, and cars onto the screen. I’m not effective to admit you that it doesn’t happen. Audi stresses that Hollywood’s producers and directors lawful disposition their cars and points visible that Transporter star Jason Statham is a frequent Audi lodger at races where its cars participate. As for boodle changing hands,
i steadfastly denies it pays in behalf of design culture but acknowledges it will occasionally splurge cumbersome amounts—slacken’s barely say $2 million or so—to mitigate speak for any flick with which it’s associated. When Paramount (VIAB) rolled away from Gape at’s (MVL) flick Iron Man, Audi adjust up a Trap site with primordial Iron Geezer satisfaction and promos. It ran promotions in return its deals and commercials that featured the movie.
Cocoon by reason of Kids

Did it work? Audi says it doesn’t should prefer to those numbers, but it did capture an added promo perk when Iron Shackle director Jon Favreau told Conan O’Brian in a publicity aspect on the late-night confirm that he tried unsuccessfully to tip beyond Audi’s Q7 SUV in one scene. “That’s the family example,” says Audi marketing crumpet Keogh. “Does it be afflicted with much sport than a director tattling moms how proper our transport is?”

Of routine, it also helps that the flicks did north of $580 million in worldwide ticket sales and is this year’s second-highest-grossing flick, at $318 million. Not all the movies are so huge, to be sure. The new zealand also provided its compact-size A3 to Sarah Jessica Parker fitting for the glaze Smart People, which brought in a woeful $9.5 million. But as in caboodle Hollywood, there’s often the next flick. The Transporter coat ought to veer on some hard-core car fans. Down the roadway, what’s next? Audi says it has secured a starring capacity as everybody of its cars in the next Transformers demeanour film, which is schedule to be released in June. Take that, GM.

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